Editorial Principles

Through Line Numbering (TLN)


This edition is an attempt to create a electronically searchable facsimile edition of the 1634 quarto of The Two Noble Kinsmen. To that end I have endeavoured to reproduce the text in as near a condition as I was able to using HTML coding. In practice this has often meant that some form of sacrifice has been required. While all punctuation and spelling are unchanged, the various fonts, however, are a different matter. When compiling The Woman's Prize I experimented with various ways of approaching the original fonts of that edition and none succeeded in satisfying me completely. So as with that edition I have used Times New Roman which is as close to the primarily roman font of the quarto as is possible with a computer. I have maintained all italics and endeavoured to maintain relative font sizes, though both word and punctuation spacings have been normalised for ease of reading. Page numbering, compositor signatures, and act/scene divisions have been recorded as they occur in the quarto even if they are incorrect. When the text has been divided into act and scenes, at the bottom of each scene I have placed a reference to the location of the same scene, and its subsequent line numbering, as it occurs in the Cambridge, Regents Renaissance Drama Series, Oxford Complete Works, and Arden 3 editions of The Two Noble Kinsmen, that is those editions of the play edited by Fredson Bowers, G. R. Proudfoot, William Montgomery, and Lois Potter.

The text is based upon the Locker Lampson-Church copy that is reproduced in Shakespeare's Plays in Quarto, edited by Michael J. B. Allen and Kenneth Muir. Berkeley: U of California P, 1981.     Back


The text has been numbered according to the system of Through Line Numbering (TLN) that was developed by Charlton Hinman in The Norton Facsimile of the First Folio of Shakespeare: "counted ... and following normal reading order, is every typographical line after the head title that contains literal type, beginning with "Actus primus, Scena prima" or whatever variation of this may appear .... not counted in any plays are lines containing only catchwords or signatures or both, or lines that contain only turnovers or turnunders (i.e., lines that, except for these, would be blank" (1996, xxiii). Hinman goes on to offer two examples, one from A Comedy of Errors:

         Enter Antipholus, and E.Dromio of Ephesus.       [1665]
                                                                        (stice,
    E. Ant. Iustice most gracious Duke,oh grant me iu-        [1666]

and the other from 1 Henry VI:

Which ioin'd with him, and made their march for               [2017]
                                                                ( Burdeaux
     Yorke. A plague vpon that Villaine Somerset,              [2018]

Because this text of The Two Noble Kinsmen is based upon the 1634 quarto edition I have used the abreviation "QLN" (quarto line number) to mark the text.

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Page last updated 24 July, 2000.
Any queries or suggestions please mail to Drew Whitehead