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Philaster: OR, Love Lies a Bleeding
2nd Folio (1679).
Act 1, Scene 1; TLN numbers 1-67
Signature [D3]

 

21

P H I L A S T E R:
OR,
Love lies a Bleeding.

The Scene being in Cicilie.

Persons Represented in the Play.
The King.
Philaster, Heir to the Crown.
Dion, a Lord.
Cleremont
Thrasiline
Noble Gentlemen his Associates.
Arethusa, the Kings Daughter.
Galatea, a wise modest lady attending the Princess.
Megra, a lascivious Lady.
An old wanton Lady, or Croan.
Another Lady attending the Princess.

Eufiasia, Daughter of Dion, but diguised like a
    Page, and called
Bellario.
An old Captain.
Five Citizens.
A Country fellow.
Two Woodmen.
The Kings Guard and Train.

Actus primus.     Scena prima.

    Enter Dion, Cleremont, and Thrasiline.
Cler. H Ere's not Lords nor Ladies.
    Dion. Credit me Gentlemen, I wonder
at it. They receiv'd strict charge from the
King to attend here: Besides it was bold-
ly published, that no Officer should forbid any Gentlemen
that desire to attend and hear.
    Cle. Can you ghess the cause?
[10]
    Di. Sir, it is plain about the Spanish Prince, that's come
to marry our Kingdoms Heir, and be our Soveraign.
    Thra. Many (that will seem to know much) say, she looks
not on him like a Maid in Love.
    Di. O Sir, the multitude (that seldom know any thing
but their own opinions) speak that they would have, but the
Prince, before his own approach, receiv'd so many confident
messages from the State, that I think she's resolv'd to be rul'd.
    Cle. Sir, it is thought, with her he shall enjoy both these
Kingdoms of Cicilie and Calabria.
[20]
    Di. Sir, it is (without controversie) so meant. But 'twill
be a troublesome labour for him to enjoy both these King-
doms, with safetie, the right Heir to one of them living,
and living so vertuously, especially the people admiring the
bravery of his mind, and lamenting his injuries.
    Cle. Who, Philaster?
    Di. Yes, whose father we all know, was by our late
King of Calabria, unrighteously deposed from his fruitful Ci-
    cilie. My self drew some blood in those Wars, which I
would give my hand to be washed from.
[30]
    Cle. Sir, my ignorance in State-policy, will not let me
know why Philaster being Heir to one of these Kingdoms,
the King should suffer him to walk abroad with such free
liberty.
    Di. Sir, it seems your nature is more constant than to en-
quire after State news. But the King (of late) made a hazard
of both the Kingdoms, of Cicilie and his own, with offering
but to imprison Philaster. At which the City was in arms,
not to be charm'd down by any State order or Proclamation,
till they saw Philaster ride through the streets pleas'd, and
[40]
without a guard; at which they threw their Hats, and their
arms from them, some to make bonefires, some to drink,
all for his deliverance. Which (wise men say) is the cause,
the King labours to bring in the power of a Foreign Nation,
to aw his own with.
 
    Enter Galatea, Megra, and a Lady.
 
    Thra. See, the Ladies, what's the first?     (Princess
    Di. A wise and modest Gentlwoman that attends the
    Cle. The second?
    Di. She is one that may stand still discreetly enough, and
[50]
ill favour'dly Dance her Measure; simper when she is Court-
ed by her Friend, and slight her Husband.
    Cle. The last?
    Di. Marry I think she is one whom the State keeps for
the Agents of our confederate Princes. she'll cog and lie
with a whole Army before the League shall break: her name
is common through the Kingdom, and the Trophies of her
dishonour, advanced beyond Hercules pillars. She loves to
try the several constitutions of mens bodies; and indeed
has destroyed the worth of her own body, by making expe
[60]
riment upon it, for the good of the Common-wealth.
    Cle. She's a profitable member.
    La. Peace, if you love me: you shall see these Gentle-
men stand their ground, and not Court us.
    Gal. What if they should?
    Meg. What if they should?
    La. Nay, let her alone; what if they should? why, if
they should, I say, they were never abroad: what Foreigner

would


 

© Twilight Pictures, April 2001. This text is freely available for educational, non-profit uses only. Please report any errors or suggestions to Drew Whitehead.