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Summer Programs...
> INTERPRETING SHAKESPEAREAN
TRAGEDY:
> CRITICAL ISSUES IN HAMLET
& KING LEAR
The seminar will aim to introduce participants to some of
the main interpretive issues surrounding the plays, from the
eighteenth century to our own time. We would take time to
examine some of the main themes of the plays in detail, and
look at the plays' performance and critical history, adaptations
for the screen, relevant intellectual contexts of Shakespeare's
own day, and the plays' approaches to such topics as love
and sex, death, politics and government, religious belief,
the relations between men and women. We would also look at
some problems arising from the printing history of the two
texts in Shakespeare's time. |
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THE SCHEDULE |
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Tuesday
29 November |
Wednesday
30 December |
Thursday
1 December |
Friday
2 December |
| Session 1
9.00-10.30am |
Welcome and Introduction |
Politics in "Hamlet" |
Introduction |
"King Lear"
and the Gods |
Morning tea:
10.30-10.45 am |
| Session 2
10.45-12.15pm |
Textual Problems in "Hamlet" |
The Language of "Hamlet" |
Textual Problems in "King Lear"
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A Political Tragedy? Justice, Tyranny,
and Hope in "King Lear" |
| Lunch: 1.00-2.00
pm |
| Session 3
2.00-3.30pm |
Hamlet: Becoming a Self |
"Hamlet" Then and Now |
Fathers and Daughters, Love and Power |
"King Lear" Then and Now |
Afternoon tea:
3.30-3.45 |
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THE PROGRAM
This four-day intensive seminar on Shakespeare’s
“Hamlet” and “King Lear” aims to introduce
participants to some of the main interpretive issues surrounding
the plays via a programme of close reading and discussion.
The seminar will pay some attention to the plays' performance
and critical history, to screen adaptations, and to relevant
intellectual contexts of Shakespeare's own day. Its chief
concern, however, will be the plays themselves, and the large
topics they seem centrally preoccupied with: the nature of
the self; love, sex, and family relationships; politics, law,
and government and their relation to justice; the existence
or non-existence of gods or God; what happens after death;
revenge; the relations between men and women. Throughout we
will pay particular attention to Shakespeare’s language,
style, and poetic and dramatic technique, and also consider
some of the fascinating problems arising from the complicated
printing history of the two plays in Shakespeare's time.
RECOMMENDED TEXT
The main consideration here is that participants possess accurate
and scholarly editions of the play. These will often also
contain helpful notes and other aids to understanding. Any
texts issued by the following publishers, for example, would
be fine: Penguin, Oxford, Cambridge, Norton, New Arden, Signet,
Folger Library, Riverside, Harper Collins. If in doubt as
to which text to bring along, please contact the Group Leader,
Dr Peter Holbrook. Ideally participants will have read both
plays at least once before attending the seminar.
There are many stimulating and up-to-date general introductions
to Shakespeare now available. Participants might like to try
to read at least one of these before attending the seminar:
| 1. |
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S.Greenblatt, “Will in the World:
How Shakespeare Became Shakespeare” (Norton, 2004) |
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| 2. |
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D. Bevington, “Shakespeare”
(Blackwell, 2002) |
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| 3. |
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J. Bate, “The Genius of Shakespeare”
(Picador, 1997). [Shakespeare in cultural history.] |
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| 4. |
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L. Hopkins, “Beginning Shakespeare”
(Manchester UP, 2005) [Informed by recent theoretical
approaches.] |
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| 5. |
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K. Ryan, “Shakespeare” (Palgrave,
2002) [A radical political approach.] |
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P. Honan, “Shakespeare: A Life” (Oxford
UP, 1998) |
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| 7. |
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M. de Grazia and S. Wells, eds. "The Cambridge
Companion to Shakespeare" (Cambridge UP, 2001). [Essays
on various topics.] |
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| 8. |
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S. Wells, "Shakespeare: The Poet and His Plays"
(Methuen, 2001) |
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| 9. |
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S. Wells, "Shakespeare: For All Time" (Oxford
UP, 2003) [Illustrated.] |
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K. Duncan-Jones, "Ungentle Shakespeare: Scenes
from His Life" (Arden Shakespeare, 2001) |
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| 11. |
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M. Wood, "In Search of Shakespeare" (British
Broadcasting Corporation, 2003) [The book of the TV series.] |
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| 12. |
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Kastan D.S., "A Companion to Shakespeare"
(Blackwell, 1999) [Another helpful essay collection by
leading scholars.] |
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THE GROUP LEADERS
Dr Peter Holbrook is Senior Lecturer in English Literature
at the University of Queensland, teaching mainly in the areas
of English Renaissance literature and Shakespeare. He is the
author of "Literature and Degree in Renaissance England:
Nashe, Bourgeois Tragedy, Shakespeare" (University of
Delaware Press, 1994) and co-editor of "The Politics
of the Stuart Court Masque" (Cambridge UP, 1998). His
current project concerns the cultural politics of Shakespeare
in the Victorian period. Dr Holbrook has been a recipient
of a "Commendation" in the University's Teaching
Awards. |
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©
Duchesne College - All Rights Reserved 2005 :: Last Modified
1st June 2005 |