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| Old Course Code | Subject Area | Catalogue Number | Long Title | Units | Description |
| HA101 | ARTT | 1101 | The Renaissance: a Rebirth in Western Art | 2 | Covers the Renaissance in Northern Europe & Italy, including some basic art methodological concepts. |
| HA105 | ARTT | 1105 | Art in the Modern World | 2 | Chronological survey in issue-based format addressing topics in European art & art theory between 1880-1945. Includes some reference to cinema. |
| HA106 | ARTT | 1106 | Looking at Art | 2 | Examines how we look at art & interpret works of art from 17th century until early 20th century, with particular emphasis on modernism. |
| HA107 | ARTT | 1107 | World Art | 2 | Introduction to non-western art practices & interactions between western & non-western traditions, focusing on 20th century art forms. |
| HA108 | ARTT | 1108 | Masterpieces of Western Art | 2 | Selected key masterpieces will offer overview of Western Art from the Renaissance to the 20th century. Introduction to various approaches to art historical interpretation. |
| HA201 | ARTT | 2101 | The Portrait | 2 | Examines issues related to likeness, gender & self-fashioning in the painted & photographed portrait. |
| HA203 | ARTT | 2103 | Australian Indigenous Art | 2 | Surveys a range of indigenous art practices in Australia, past & present. Examines the historical & political contexts of indigenous art. |
| HA204 | ARTT | 2104 | Post-Colonial Art & Issues | 2 | Emphasis on 20thC responses in history & art of countries colonised by Western civilisations. Contact between European & South Pacific cultures addressed. Introduction to postcolonial theory & its relation to art history. |
| HA205 | ARTT | 2105 | The Revolution in French Art: David to Monet | 2 | Evaluation of France as focal point of changes regarding role of artist in society & relationship to traditional institutions. In-depth study of Impressionists & Post-Impressionists. |
| HA208 | ARTT | 2108 | Contemporary World Art: Jackson Pollock to Jeff Koons | 2 | Development of American post-war painting, showing how it led to developments in Europe & Australia. Special emphasis on art of the 80s. |
| HA209 | ARTT | 2109 | Post Modernist Art & Theory | 2 | Work of number of theorists of post-modernism, emphasising applicability of their work to contemporary art. |
| HA210 | ARTT | 2110 | Recent Approaches to Cinema | 2 | Introduction to number of recent approaches to cinema with special emphasis on philosophical & psychoanalytic perspectives. |
| HA211 | ARTT | 2111 | Imaging Landscape | 2 | Almost all Western cultures share actions & myths about places such as mountains, forests, the beach, walled gardens & open fields. By using key images, some music & texts, the subject surveys how those notions developed & have been harnessed to causes li |
| HA214 | ARTT | 2114 | Modern Style: the Fashioning of Self | 2 | Formulation of modern identity through style, aesthetics & self-presentation from Baudelaire, through Chanel to Gaultier & the 'end' of fashion. |
| HA222 | ARTT | 2122 | English Painting: "Another word for feeling" | 2 | Taste, patronage, style, social change & industrialisation in 19th century. Art & Crafts movement, aestheticism & Pre-Raphaelite group. Importance of institutionalisation of arts. |
| HA227 | ARTT | 2127 | Australian Art: From Settlement to Nolan's Ned Kelly | 2 | Australia's obsession with landscape, developing national art based on Tom Roberts, Arthur Streeton & the influence of British traditions. |
| HA229 | ARTT | 2129 | The Art Museum: Cultural Institution/Practical Laboratory | 2 | The Museum as arbitrator of taste studied through specific institutions, issues & events. Australian examples featured. Class emphasis on historical development of the art museum. |
| HA233 | ARTT | 2133 | Australian Art Now | 2 | Examination of contemporary Australian art from the late 70s to the present. Artist based. Special attention given to local art scene. |
| HA240 | ARTT | 2140 | Frame & Image: Theories of Vision & Textuality | 2 | Examination of critical approaches to the visual image (including iconology, semiology, psychoanalysis, deconstruction), investigating how these approaches frame how we see & read images while also opening up new possibilities of interpretation. |
| HA326 | ARTT | 2136 | Photography: Images & Ideas | 2 | Various theoretical approaches to photography with reference to photography's recurrent preoccupations - the apparatus; the status of 'realism' & 'documentary'; the body, sexuality & identity. |
| HA411 | ARTT | 6101 | Individual Honours Study Unit | 4 | Each student will work individually with their nominated Honours supervisor & develop thesis topic, research skills, information & bibliography necessary for the preparation of their Honours thesis/Graduate Research Diploma in Arts. |
| HA412 | ARTT | 6102 | Theory & Practice in the History of Art | 4 | Assists students to understand & apply advanced art historical methodology. They will also become familiar with major shifts & texts which have defined European visual culture. |
| HA413 | ARTT | 6104 | Honours Thesis | 8 | Students enrolling in first semester who will complete their thesis at the end of second semester must enrol in this course. Permission of Head of Department required to enrol in this course. Students commencing course in Semester 1 enrol in ARTT6103; s |
| HA413 | ARTT | 6103 | Honours Thesis | 8 | Students enrolling in first semester who will complete their thesis at the end of second semester must enrol in this course. Permission of Head of Department required to enrol in this course. Students commencing course in Semester 1 enrol in ARTT6103; s |
| HA727 | ARTT | 7127 | Australian Art 1788–1940: The Creation of Its History | 2 | Concern to accommodate Australian Art within academic traditions & its obsession with landscape & nationhood. |